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Tuesday, Dec. 3, 2024

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‘The Golden Bachelor’: The beauty of aging

By Ari Denning · Monday, Nov. 13, 2023

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PEMCo lives forever in ‘Tuck Everlasting’

By Claire Lyons · Friday, Nov. 10, 2023

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‘Priscilla’: Life in a gilded cage

By Luke Foley · Friday, Nov. 10, 2023

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Marvel actually made ‘Rogers: The Musical’

By Christine Hilario · Thursday, Nov. 9, 2023

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Let sleeping dogs lie: The case against superhero resurrections

By Andy Ottone · Thursday, Nov. 9, 2023

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‘Now and Then’: The Beatles’ final song

By Anna Falk · Tuesday, Nov. 7, 2023

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Taylor Swift is a billionaire — let's talk about that

By Claire McKenna · Tuesday, Nov. 7, 2023

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Scene Selections: ‘1989 (Taylor's Version)’

By Observer Scene Staff · Monday, Nov. 6, 2023

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The legacy of ‘Rocky Horror’ lives on at the Morris

By Natalie Allton · Friday, Nov. 3, 2023

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Nathan Fielder: A comedian of many complexities

By Andy Ottone · Friday, Nov. 3, 2023

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Halloween’s top celebrity costumes: A tribute to the best of pop culture

By Cozette Brown · Thursday, Nov. 2, 2023

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‘Five Nights at Freddy’s’: For the kids

By Andy Ottone · Wednesday, Nov. 1, 2023

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‘Our Flag Means Death’ season two: Navigating rocky waters

By Anna Falk · Tuesday, Oct. 31, 2023

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‘1989 (Taylor's Version)’: The pop bible remastered

By Lucia Aguzzi · Tuesday, Oct. 31, 2023

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Spooky Scene Selections 2023

By Observer Scene Staff · Monday, Oct. 30, 2023

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‘The Woman in Me’: Britney Spears’ journey to freedom

By Rachel Hartmann · Friday, Oct. 27, 2023

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Guilt and validation come to life in ‘Simón’

By Lucia Aguzzi · Friday, Oct. 27, 2023

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A scare on stage: Horror in musical theater

By Andy Ottone · Thursday, Oct. 26, 2023

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‘Excellence, tradition and brotherhood’: The Notre Dame Glee Club 2023 Fall Concert

By Anna Falk · Thursday, Oct. 26, 2023

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Bad Bunny is back with ‘nadie sabe lo que va a pasar mañana’

By José Sánchez Córdova · Wednesday, Oct. 25, 2023

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