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Monday, Nov. 25, 2024

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More than candy in your Easter basket: Justin Bieber's 'Freedom'

By Lexi Kilcoin · Thursday, April 8, 2021

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‘The Falcon and the Winter Soldier’: A perfect soldier versus a good man

By Christine Hilario · Wednesday, April 7, 2021

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‘The Father’: Life in erosion

By Aidan O'Malley · Wednesday, April 7, 2021

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The best and brightest ASMRtists to try out

By Alysa Guffey · Tuesday, April 6, 2021

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Coffee shops and fantasy worlds: The soothing escapism of ambience videos

By Adriana Perez · Tuesday, April 6, 2021

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The strange thing about Ari Aster

By Colleen Fischer · Thursday, April 1, 2021

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'Another Round': A brilliant exploration of a midlife crisis

By Justin George · Thursday, April 1, 2021

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Evanescence and ‘The Bitter Truth’

By John Clark · Wednesday, March 31, 2021

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Remembering Jessica Walter

By Willoughby Thom · Wednesday, March 31, 2021

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Dear reader, don't bother with 'The Duke and I'

By Isabella Volmert · Tuesday, March 30, 2021

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‘Invincible’ and not-so-supermen

By Christine Hilario · Tuesday, March 30, 2021

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A meditation on memory: Chris Marker’s ‘Sans Soleil’

By Angela Mathew · Monday, March 29, 2021

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‘Mank’: The story of a budding screenplay

By Sofia CrimiVaroli · Monday, March 29, 2021

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Peace in passivity: Kelly Reichardt’s ‘First Cow’

By Ryan Israel · Friday, March 26, 2021

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“The Falcon and the Winter Soldier” starts with a slow burn

By Sophia Michetti · Friday, March 26, 2021

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Maude Latour: Campus lyricist

By Sarah Kikel · Thursday, March 25, 2021

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‘Sound of Metal’s’ wonderful, inaudible chorus

By JP Spoonmore · Thursday, March 25, 2021

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‘Zack Snyder’s Justice League’ review

By Nicole Bilyak · Wednesday, March 24, 2021

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The Snite Museum of Art presents: ‘Chair of the Ministers of Defense’

By Willoughby Thom · Wednesday, March 24, 2021

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Adolescence on-screen

By Nick Brigati · Tuesday, March 23, 2021

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