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Monday, Nov. 25, 2024

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Scene

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Ottessa Moshfegh presents: ‘My Year of Rest and Relaxation,’ a clinically proven cure to ennui

By Mike Donovan · Wednesday, Aug. 29, 2018

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No new Vampire Weekend album, discover the "DEEP CUTS"

By Charlie Kenney · Wednesday, Aug. 29, 2018

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Young Thug stays iconic on ‘Slime Language’

By Danny Liggio · Tuesday, Aug. 28, 2018

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Animal Collective pollutes their discography with 'Tangerine Reef'

By Ethan Utley · Tuesday, Aug. 28, 2018

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The Radically Affirming Romance of 'Crazy Rich Asians'

By Nicholas Ottone · Monday, Aug. 27, 2018

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'Disenchantment' and the anti-princess

By Nora McGreevy · Monday, Aug. 27, 2018

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Scene in South Bend: Weekend Preview

By Nora McGreevy · Friday, Aug. 24, 2018

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Clairo sparkles on debut EP ‘diary 001’

By Ryan Israel · Friday, Aug. 24, 2018

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In Memoriam: the V.M.A.s

By Carlos De Loera · Thursday, Aug. 23, 2018

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Schrader delivers again with ‘First Reformed’

By Charlie Kenney · Thursday, Aug. 23, 2018

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Playboi Carti brings the energy on "Die Lit"

By Ryan Israel · Wednesday, Aug. 22, 2018

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Scene Selections: Summer recap

By Nora McGreevy · Tuesday, Aug. 21, 2018

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Scene Selections: Welcome Weekend edition

By Nora McGreevy · Friday, Aug. 17, 2018

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Commencement 2018: Four Years in Review

By Mike Donovan · Wednesday, May 16, 2018

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Scene-ior Selections

By Adam Ramos · Wednesday, May 2, 2018

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Scene's Selections: a summertime forecast

By Mike Donovan · Tuesday, May 1, 2018

Scenecast: ResponsibilityCast

By Mike Donovan · Tuesday, May 1, 2018

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Unknown Mortal Orchestra: fuzzy, funky, dark

By Molly Chen · Monday, April 30, 2018

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Scene in South Bend: Cambodian Thai

By Carlos De Loera · Monday, April 30, 2018

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Ambitious yet frustrating ‘Westworld’ remixes myth

By Nicholas Ottone · Friday, April 27, 2018

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The baby mama phenomenon continues

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