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Friday, Nov. 22, 2024

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Matheus Herndl

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‘Emily In Paris’ season 3 is a dazzling showcase of character assassination

By Matheus Herndl · Tuesday, Jan. 24, 2023

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‘House of the Dragon’: A worthy heir

By Matheus Herndl · Friday, Nov. 4, 2022

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The ‘GTA VI’ leak scandal

By Matheus Herndl · Thursday, Sept. 29, 2022

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2022: The year of the prequel

By Matheus Herndl · Tuesday, Sept. 13, 2022

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‘Mr. Morale & The Big Steppers’: The generational excellence of Kendrick Lamar

By Matheus Herndl · Thursday, Sept. 1, 2022

‘Hellfire’: Black Midi’s descent into madness

By Matheus Herndl · Friday, Aug. 26, 2022

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‘Fantastic Beasts: The Secrets of Dumbledore’ should have stayed secret from the public

By Matheus Herndl · Thursday, April 21, 2022

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Death Grips’ ‘The Money Store’ turns 10: A look back at one of the most influential albums of the 2010’s

By Matheus Herndl · Thursday, April 14, 2022

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What to expect from the new ‘Game of Thrones’ prequel

By Matheus Herndl · Friday, April 8, 2022

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Weezer’s 'SZNZ: Spring' gave me seasonal depression

By Matheus Herndl · Wednesday, April 6, 2022

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