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Wednesday, Jan. 22, 2025

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Peter Mikulski

On so-called blasphemy

By Peter Mikulski · Wednesday, Jan. 22, 2025

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‘Babygirl’ is more dramatic than romantic

By Peter Mikulski · Friday, Jan. 17, 2025

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‘Fargo’: 100 minutes of pure Midwestern angst

By Peter Mikulski · Monday, Dec. 9, 2024

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Seize your chance to see ‘Caesar’

By Peter Mikulski · Wednesday, Nov. 13, 2024

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‘The Color of Pomegranates’: The greatest (and the weirdest)

By Peter Mikulski · Monday, Nov. 11, 2024

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‘Conclave’ is unorthodox

By Peter Mikulski · Tuesday, Nov. 5, 2024

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‘English Teacher’ is so good (but too small)

By Peter Mikulski · Friday, Nov. 1, 2024

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‘The Dark Crystal’ is just dark enough

By Peter Mikulski · Monday, Oct. 7, 2024

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The frightening power of Pauline Kael

By Peter Mikulski · Thursday, Oct. 3, 2024

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‘Megalopolis’: It’s a miraculous spectacle

By Peter Mikulski · Monday, Sept. 30, 2024

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