The Observer is a student-run, daily print & online newspaper serving Notre Dame, Saint Mary's & Holy Cross. Learn about us.
-5 posts tagged "phoebe bridgers"
Charlie Kenney, Willoughby Thom, Mike Donovan and Ryan Israel | Monday, September 16, 2019
A few artists released new singles. Scene listened. Run it back. “Moment” — Pinegrove By Mike Donovan, Scene Editor Momentary pleasures — the type initiated, felt and lost at a pinprick on the timeline — feed on the luxury of not knowing. Neither future nor past have any bearing on the instantaneous. What’s now is
Matthew Kellenberg | Wednesday, January 30, 2019
Things are looking up for Phoebe Bridgers. In 2017, she released her debut album, “Strangers in the Alps,” to critical acclaim. A year later, her collaboration with Julien Baker and Lucy Dacus, “boygenius,” received album-of-the-year buzz. Also in this time, Bridgers joined indie darling and former Bright Eyes frontman Conor Oberst on his “Salutations” European
Ryan Israel, Margaret McGreevy, Martin Kennedy and Nora McGreevy | Thursday, November 1, 2018
Every once in a while it’s a good idea to ditch the algorithm-driven coldness of Spotify’s “New Releases” tab or Apple Music’s “New Music” section. Instead, turn to humanity and rely on your favorite Scene writers to recommend what might be your new favorite song. “Alien” — Beach House By Ryan Israel, Scene Writer Beach
Daniel O'Boyle | Friday, September 29, 2017
“The Big Lebowski” uses the “F-word” a total of 260 times. How is this relevant to an excellent indie-folk debut album from an up-and-coming singer-songwriter? Well, in one iconic scene, John Goodman’s character Walter Sobchak smashes what he believes to be the car of a high-schooler who stole money from “The Dude” (Jeff Bridges). While destroying the
Nora McGreevy, Bobby Wozniak, Erin McAuliffe, Adam Ramos and Kelly McGarry | Monday, February 6, 2017
Father John Misty — “Pure Comedy” By Kelly McGarry Father John Misty continues a tradition of suspiciously comforting cynicism, and the current political climate may provide the most appropriate audience his career has seen yet. A hesitant piano melody ushers in his typical oddly specific lyrics of obscure relevance, “Say that half of us are